MAN MUSEUMM AN LIVERPOOl BERLIN KUNST SALON II BERLINER KUNSTSALON, Berlin. Germany The Arena Eichnerstrasse 3 Treptow The Glass House Berlin baus September 30- October 6 2005

Adam Nankervis & museum man & Jill Rock co-curator artists- David Medalla ,Tony Knox, John Dugger, Laden Fur, Nichts Uwe Karsten Gunther, George Lund, Gaynor Sweeney , Roberta Kravitz, Colin Serjent, Simon Bendi, Neal Brown, Charlotte Moth, Sico Carlier, Richard Wilkie Riley and The North West Artologists Kate Fallon Cousins Jill Fallon Cousins Gary Sollars Marc Patzold Peter Schnaake Simone Weigelt BRAIN CELL Jessica Wilkes Sara Galaxia Association Carte Blanche Turkish Foundation For Wate Products CZLovecraft Jacques Vilegle Rita McNamara The Duplex Planet Jose Roberto Sechi MARINO Baraba Shkyn walking picasso The Big Cheeze B.SAVEDPOST RAZ Jenny Pringle Ofar Quarson this dildo is made by black and dicker Mr Mike Mosher Jo Derbyshire Jo Gough Sergio Monteiro de Almeida Stephen R Olivier S.Finn Domenico Severino Vincenzo Ceccato Rafaella Losapio ZEROTRE Alexander Hempel Suzi Roewer Cyril Lepetit Cian Quayle Ruby Lynn Reyner Andrew Reyner Calum F Ker Deborah Wargon Kitty Redford Laura Cristin Liz Edgar Gulsen Bal Geraldine Gallavardine Hans Christian Lotz Klaus Kampner Loretta Fahrenholz Sue Milburn KENJI Janne Schaffer Kristine Agagaard Mona Wehr MOTHMAN Nicole Mollett Jessica Wilkes Sandra Hetzl Reynolds Kristin Posehn Nino Ruju Ryosuke Cohen Jenny Pringle Catherine Redford Jerome Chazeix

 

Tony knox work for the BERLINER KUNSTSALON, this will be a site spersicke peice of moth paper bags feature in the Museum man space. The Museum man Like Schwitters´Merzbau, Nankervis´museum includes the gifts of other artists´work, or some personal item. Schwitters once purloined a pair of Lazlo Moholy-Nagy´s socks after a visit by the Hungarian and incorporated them into his construction. No doubt this personal momento was steered towards abstraction. Abstraction, understood as the play of forms in a state of freedom, released from the old hierarchies and symbolisms, was the great quest of many 20th century artists. Indeed Schwitters wrote of his multivarious salvages: ?By being balanced against each other, these materials lose their characteristics, their personality poison. They are dematerialised and are only stuff for the painting which is a self-related entity."

Adam Nankervis´museum belongs to an age of vastly expanded production and consumption . I can follow certain themes in Museum MAN, for example a certain homoeroticism and interest in masculinities. But other connections are enigmatic and poetic; one can project one´s own meaning into them. This museum is a continuum without fixed edges or abode. Two streams seem to converge in it: perceptions of life-currents, which began with the discovery of an abandoned photo-album of an unknown man´s life which Nankervis found in a Berlin flat, and the desire to provide a space for artists independent of the art world´s system of rewards. The BERINER KUNSTSALON is a magnet for art collectors, curators and gallerists and of course an art-interested public.As the Salon is at the same time as the Art forum it profits from the large number of international art buyers and experts that are in the city and offers them the chance to discover new young modern artists at the SALON.

The goal of the SALON is to attract an educated public who are open to new movements and setting trends.

adam nankervis
www.berlinerkunstsalon.de
www.museum man.org
www.artinliverpool.com